The Heritage Journal

Engraved view of a Russian city from a rampart, spired towers and a bridge, for the article on Dostoevsky's The Idiot

Dostoevsky's The Idiot: Is Radical Goodness a Gift or a Form of Violence?

What is the cost of absolute goodness in a world that is anything but? This is one of the most profound and unsettling questions literature can ask. We often idealize...

Dostoevsky's The Idiot: Is Radical Goodness a Gift or a Form of Violence?

What is the cost of absolute goodness in a world that is anything but? This is one of the most profound and unsettling questions literature can ask. We often idealize...

Black and white photograph of stone columns in an ancient ruin, illustration for the article on H.P. Lovecraft

Cosmic Dread and the Unspeakable: How Lovecraft Forged a New Grammar of Horror

There are fears that can be named and fears that lie beyond the grasp of our vocabulary. Traditional horror often deals with the former: the shadow in the corner, the...

Cosmic Dread and the Unspeakable: How Lovecraft Forged a New Grammar of Horror

There are fears that can be named and fears that lie beyond the grasp of our vocabulary. Traditional horror often deals with the former: the shadow in the corner, the...

Old engraving of the Tower of London and its walls, illustration for the article on Thomas More's Utopia

Thomas More's Utopia: The Good Intentions Behind Orwell's Totalitarian Cage

The dream of a perfect society is as old as human discontent. It is a flickering candle in the long, dark history of war, poverty, and injustice—a testament to our...

Thomas More's Utopia: The Good Intentions Behind Orwell's Totalitarian Cage

The dream of a perfect society is as old as human discontent. It is a flickering candle in the long, dark history of war, poverty, and injustice—a testament to our...

Italian Renaissance fresco of a cavalcade of riders in red, illustration for the article on Musset's Lorenzaccio

The Mask That Eats the Face: Existence and Self-Destruction in Musset's Lorenzaccio

In the pantheon of French Romantic drama, few figures loom as large or as tragically as Lorenzaccio. Alfred de Musset's 1834 masterpiece, set in the corrupt, glittering Florence of the...

The Mask That Eats the Face: Existence and Self-Destruction in Musset's Lorenzaccio

In the pantheon of French Romantic drama, few figures loom as large or as tragically as Lorenzaccio. Alfred de Musset's 1834 masterpiece, set in the corrupt, glittering Florence of the...

Old photograph of a ball in a grand ornate hall with ladies in long gowns, illustration for the Edith Wharton article

Edith Wharton: From Chronicler of the Gilded Age to French Heroine of the Great War

When we conjure the name Edith Wharton, the mind is immediately transported to the opulent, suffocating drawing rooms of Gilded Age New York. We see Lily Bart descending a staircase...

Edith Wharton: From Chronicler of the Gilded Age to French Heroine of the Great War

When we conjure the name Edith Wharton, the mind is immediately transported to the opulent, suffocating drawing rooms of Gilded Age New York. We see Lily Bart descending a staircase...

Black and white photograph of a palm-lined seaside promenade, illustration for the article on F. Scott Fitzgerald

F. Scott Fitzgerald: The Man Who Stole His Wife's Words and Breakdown for Art

The story of F. Scott and Zelda Fitzgerald is etched into the mythology of the 20th century. They were the King and Queen of the Jazz Age, a dazzling, self-destructive...

F. Scott Fitzgerald: The Man Who Stole His Wife's Words and Breakdown for Art

The story of F. Scott and Zelda Fitzgerald is etched into the mythology of the 20th century. They were the King and Queen of the Jazz Age, a dazzling, self-destructive...